Inaugural “Feature Film Pitch Night”: Nine Semi-Finalists Pitch Their Stories for Production

October 19, 2021

JPCatholic’s campus community gathered on Saturday evening for the inaugural Feature Film Pitch Night. Over the past two months, students and alumni submitted 45 stories to be produced as part of JPCatholic’s new Feature Film Program. This weekend, nine of those projects were pitched to a live audience, including a faculty panel comprised of George Simon, Chris Riley, and Jeff Deverett.

Each participant spent about five minutes pitching their story’s logline, describing the main characters and their conflict, giving a brief synopsis of the plot, mentioning comparable films in the genre, describing the film’s ideal market, and explaining why the film is producible on an indie budget at JPCatholic. Each pitch was then given immediate feedback from the faculty panel.

Prof. George Simon, Chair of Communications Media, is spearheading JPCatholic’s Feature Film Program. He announced the program earlier this year as a way to integrate feature film productions into the curriculum, providing students the opportunity to collaborate with alumni and professors each year in bringing a new film to life.

Prof. George Simon (center) and Prof. Jeff Deverett (right) listen to a student's pitch.

Prof. Chris Riley is a veteran of the Warner Bros. Script Department, and also authored The Hollywood Standard, which serves as the definitive guide on script formatting, used by professional screenwriters and film schools across the nation. He has taught screenwriting at JPCatholic since 2007.

Prof. Jeff Deverett teaches film distribution and marketing at JPCatholic. His extensive career in film and television spans both the business and creative sides of the industry. He spent 22 years working in senior and executive positions, and has managed iconic kids brands like Barney, Bob the Builder, and Thomas the Tank Engine. Over the past decade, Deverett financed, produced and/or directed seven feature films which he self-distributed worldwide.

“I’ve been in the film business my whole life,” he shared with students as the event wrapped. “...The fact that you’re making a feature film is an incredibly unique opportunity for university students, and super innovative. I haven’t seen it anywhere.”

Nicholas Toller, a junior film student, pitched a 1980s comedy-drama about two filmmakers fighting the studio for creative control over their monster movie: “I worked for weeks trying to get this story and pitch to where I wanted it, so getting up on stage to present it was a vulnerable moment. But the whole crowd, the panel included, was such a great audience. I couldn't have asked for a warmer and more supportive group of people to have pitched my feature to.”

Bella Lake, a junior screenwriting student, pitched a romantic comedy about acting students vying for a scholarship through a performance of Romeo and Juliet. “It was really exciting to do creative development with Professor Simon and see my story come to life,” she said.

Over the coming month, film faculty will narrow down the pool of candidates to four or five finalists. These may come from those who pitched at the event, or from others who were unable to pitch live. These finalists will be taken through a rigorous creative development process during the remainder of the Fall Quarter.

By the end of Fall Quarter, Simon expects that two or three frontrunners will be invited to participate in the Feature Film Producing class in Winter Quarter, where each script will undergo further refinement. By Week 5 of Winter Quarter, one script will be greenlit, and pre-production can begin.

“It was awesome getting to hear so many incredible pitches and to imagine these stories coming to life,” said Simon. “I am so proud of the students and alumni who have poured their talent and creativity into these projects and excited to continue working with the finalists to develop these stories and determine which project will ultimately be chosen.”

Below are the projects pitched at the event:

Nicholas Jones

Classic 80’s

Nicholas Jones (Class of 2019)
Set in modern times, an aimless teen searches for his life’s purpose, once a poster from his late father’s time capsule comes to life.

Bella Lake

O Brawling Love!

Bella Lake (Class of 2022)
Two rival acting students are forced to reconcile their differences and play lovers Romeo and Juliet in their final school play for a chance to get a full-ride at Juilliard.

Tom McDonald


Tom McDonald (Class of 2023)
A recluse gamer drinks an ancient formula that turns him into the perfect version of himself. He finds that being perfect isn't as freeing as he once thought.

Nicholas Toller

Nucules vs. Everything

Nicholas Toller (Class of 2022)
Set in the late 1980’s, two washed-up B-movie filmmakers are trying to get their final monster movie made and will fight the studio, the crew, and each other to finish it.

Everett Ramirez

Fragile Memories

Everett Ramirez (Class of 2023)
A father whose memories have been deleted struggles to find his missing daughter.

Anna Deubell & Maggie Orsinger


Anna Deubell & Maggie Orsinger (Class of 2020)
After a terrible breakup, Adley is forced to move back into her mother’s home. She empties her wallet, purchasing an ancient, broken-down school bus with big plans to transform it and escape the city.

Mark Westin

No Reception

Mark Westin (Class of 2023)
After being stranded in the wilderness with nothing but his pepper spray, a posh city dweller gets caught up in a longstanding feud between two forest hermits.

Randi Ceniceros

Dear Grandpa

Randi Ceniceros (Class of 2022)
Faced with the reality of adulthood, an indecisive high school grad decides that he’d rather not grow up, and disguised as an elderly man, he follows his grandparents to a nursing home.

Gabriel O’Malley

The Show Must Go On

Gabriel O’Malley (Class of 2021)
Self aware that he’s in a musical, a disgraced broadway star must survive as a mob of zombie- like singers and dancers stop at nothing to assimilate him into their performance.