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Summer Quarter 2023

June 19August 25

In conjunction with this quarterly class schedule, students should make use of their Academic Map and the University Catalog. The schedule posted online will be updated regularly to include textbooks, reading assignments prior to the first class, and any changes to the schedule. Please check the website regularly.
Last Updated: 6/27

Important Dates

June 26th: Add/drop deadline August 4th: Withdrawal deadline

Announcements
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Monday
Monday 8:00–10:50 AM
155 M
COMM200 Business Communications
Amanda LoCoco
Required Textbooks & Materials:
  1. Sullivan, Jay Simply Said: Communicating Better at Work and Beyond Buy NowDigital Copies Allowed978-1119285281

In spring, students choose between two core classes: Business Communications or Advanced College Writing. In summer, students will take whatever course not yet completed.

This course will teach students how to write and speak effectively in business and other communication.

University Core
Monday 12:30–3:20 PM
155 M
BUSI300 Negotiation Skills
Amanda LoCoco
Required Textbooks & Materials:
  1. Fisher, Roger & Ury, William Getting to Yes: Negotiating Agreement Without Giving In updated and revised View LinkDigital Copies Allowed

This course teaches students to meet and resolve objections and conflicts that result from written and oral proposals and pitches. Emphasis is on resolving customer obstacles before addressing your own. Topics covered include: Wants vs. Needs, Win-Win Strategies, Best Alternatives to Agreement, Schedule vs. Quality vs. Cost, Progress vs. Perfection. The class progresses through carefully structured, progressively more complex negotiation exercises. Students learn how external and internal negotiation has become a way of life for effective managers in a constantly changing business environment.

University Core
Monday 12:30–3:20 PM
155 E
BUSM321 Building Brands
Joe Connolly
Required Textbooks & Materials:
  1. Miller, Donald Building a Story Brand HarperCollins Leadership, 2018 Buy Now978-0718033323

Students will learn how to effectively communicate visually through a brand to create several compelling and cohesive identities.

Business Elective
Monday 12:30–3:20 PM
155 N
DIGM422 Virtual Production II
Max Hulburt

Required Books TBA

This course continues to build students' proficiency in motion picture production using real-time rendering in Unreal Engine through several group projects. Additional topics include motion capture, facial capture, and virtual camera tracking.

DIGM325Intro to Virtual Production
Media Elective
Monday 12:30–3:20 PM
155 K
ENTM439 Musical Production II
Katelyn Slater

Required Books TBA

Important: successfully auditioning for a production does not result in automatic enrollment. To participate, students must also officially register for the class either during Registration Week (for credit) or with an Add/Drop Form (for credit or audit).

"Musical Production" should be used for registration (do not list the play's name).

Acting Productions meet multiple times a week.

This class meets twice a week. To find the correlating meeting, match up the Course ID.

Description TBA

Media Elective
Monday 12:30–1:55 PM
155 A/B
HUMA124-1 Advanced College Writing
Elisabeth Kramp
Required Textbooks & Materials:
  1. Booth, Columb, Williams, Bizup, & Fitzgerald The Craft of Research 4th Ed Buy NowPhysical Copies Only978-0226239736This is the primary textbook for our course. Please purchase a hard copy, as we will use it daily in class
  2. Students should select one of the following three sources (Rashomon, Our Town, or A Poet's Choice) for their research during this course. Those writing about the film Rashomon will need to read Akutagawa's short stories as well as watch the film:
    1. Rashomon
      • Kurosawa, Akira Rashomon 1950 View LinkThe Criterion Collection version includes the two Akutagawa short stories that the film is based upon. You may check out the film from JPC Library for free on campus
      • Akutagawa, Ryunosuke Rashomon and Seventeen Other Stories Penguin, 2006 Buy NowPhysical Copies Only978-0140449709The film Rashomon is based upon two of Akutagawa's short stories. Please purchase this book if you choose to write your research paper on the film Rashomon
    2. Our Town
      Wilder, Thornton Our Town Foreword by David Margulies Perennial, 2003 Buy NowPhysical Copies Only978-0060512637Please purchase this copy if you choose to write your research paper on the play Our Town. The foreword by David Margulies as well as the end notes will be useful to your research
    3. A Poet's Choice
      Elizabeth Jennings A Poet's Choice Carcanet, 1996 Buy Now978-1857542622You may choose a physical copy or read a Kindle version of this anthology should you choose to write your research paper on poetry

In spring, students choose between two core classes: Business Communications or Advanced College Writing. In summer, students will take whatever course not yet completed.

This class meets twice a week. To find the correlating meeting, match up the Course ID and section number.

Students conduct research on a primary text and write a lengthy paper, practicing revision and editing skills as they develop their original theses.  This class encourages a “close reading” of a primary text, requires students to build an annotated bibliography to evaluate secondary and tertiary source material, and introduces rhetorical concepts in the effort to help students become stronger readers and writers.

HUMA122 or Writing Proficiency Evaluation passed
University Core
Monday 2:00–3:20 PM
155 A/B
HUMA124-2 Advanced College Writing
Elisabeth Kramp
Required Textbooks & Materials:
  1. Booth, Columb, Williams, Bizup, & Fitzgerald The Craft of Research 4th Ed Buy NowPhysical Copies Only978-0226239736This is the primary textbook for our course. Please purchase a hard copy, as we will use it daily in class
  2. Students should select one of the following three sources (Rashomon, Our Town, or A Poet's Choice) for their research during this course. Those writing about the film Rashomon will need to read Akutagawa's short stories as well as watch the film:
    1. Rashomon
      • Kurosawa, Akira Rashomon 1950 View LinkThe Criterion Collection version includes the two Akutagawa short stories that the film is based upon. You may check out the film from JPC Library for free on campus
      • Akutagawa, Ryunosuke Rashomon and Seventeen Other Stories Penguin, 2006 Buy NowPhysical Copies Only978-0140449709The film Rashomon is based upon two of Akutagawa's short stories. Please purchase this book if you choose to write your research paper on the film Rashomon
    2. Our Town
      Wilder, Thornton Our Town Foreword by David Margulies Perennial, 2003 Buy NowPhysical Copies Only978-0060512637Please purchase this copy if you choose to write your research paper on the play Our Town. The foreword by David Margulies as well as the end notes will be useful to your research
    3. A Poet's Choice
      Elizabeth Jennings A Poet's Choice Carcanet, 1996 Buy Now978-1857542622You may choose a physical copy or read a Kindle version of this anthology should you choose to write your research paper on poetry

In spring, students choose between two core classes: Business Communications or Advanced College Writing. In summer, students will take whatever course not yet completed.

Students conduct research on a primary text and write a lengthy paper, practicing revision and editing skills as they develop their original theses.  This class encourages a “close reading” of a primary text, requires students to build an annotated bibliography to evaluate secondary and tertiary source material, and introduces rhetorical concepts in the effort to help students become stronger readers and writers.

HUMA122 or Writing Proficiency Evaluation passed
University Core
Monday 3:30–6:20 PM
155 A/B
BUSI218 Microeconomics
Peter Connolly
Required Textbooks & Materials:
  1. Greenlaw, Steven A., & David Shapiro Principals of Microeconomics 2e 2nd Ed Rice University, 2018. Textbook content produced by OpenStax is licensed under a Creative Commons License ( CC BY 4.0) View LinkDigital Copies Allowed
  2. Pope Francis LAUDATO SI’ View LinkDigital Copies Allowed

This course introduces the basic principles of economics and their applications to managerial decision making. It begins with an analysis of the decision making of individual consumers and producers and how they interact in a variety of marketing settings. Other topics covered include: decision making in risky situations; the complexity of pricing, production, and market entry and exit; and the relationship between market structure and the strategic choices that are open to the company. The course forces the student to think systematically about achieving competitive advantage through the management of the firm's resources.

Business Core
Monday 3:30–6:20 PM
155 E
BUSI224 Microbusiness
Joe Connolly
Required Textbooks & Materials:
  1. Guillebeau, Chris The $100 Startup Crown Business, 2012 Buy Now978-0307951526
  2. Newport, Cal Deep Work Little, Brown Book Group, Aug 24, 2016 Buy Now978-0349413686

Description TBA

Business Elective
Monday 3:30–6:20 PM
155 N
ENTM427 Feature Film: Post-Production
Melinda Simon
Required Textbooks & Materials:
  1. A 4TB hard drive formatted to MAC is required

This class is 6 units (equivalent to 2 classes).

This course is part of the Feature Film Program. Students fulfill the role of editor to create a rough cut, fine cut, and achieve picture lock on a feature length narrative film project under the guidance of a professional editor and in collaboration with the film's director. Each student is responsible for editing a specific portion of the movie and must collaborate to craft a cohesive style that fulfills the director's vision.

Media Elective
Monday 3:30–6:20 PM
155 K
ENTM434 Cold Reading
Kathryn Smith-McGlynn
Required Textbooks & Materials:
  1. Chubbuck, Ivana The Power of the Actor Gotham, August 18, 2005 Buy NowDigital Copies Allowed978-1592401536
  2. Shurtleff, Michael Audition Bantam Books, 1986 Buy NowDigital Copies Allowed978-0553272956

This class fosters the skill of creating a character with little or no preparation, as is often the case in television audition situations.

ENTM230Acting II: Acting and Text 
Acting
Monday 3:30–6:20 PM
155 M
MUSC113 World Music
Robert Giracello

Required Books TBA

Description TBA

Media ElectiveHumanities Elective
Monday 6:30–9:20 PM
155 N
DIGM441 Texturing and Lighting II: ANM
Brian LaFrance
Required Textbooks & Materials:
  1. Katatikarn, Jasmine Lighting for Animation Focal Press is an imprint of the Taylor & Francis Group, an Informa business, 2016 Buy Now978-1138018679Read Chapters 1 and 2

This class revolves around creation and application of realistic and stylized textures and light schemes to produce depth and meaning in 3D computer generated scenes. Students will explore into various texturing techniques, while generating diffuse, specular, bump, and normal maps. This class will introduce students to industry standard animation software.

DIGM212Texturing and Lighting I
AnimationMedia Elective
Monday 6:30–9:20 PM
155 E
HUMA320 Writing Short Fiction II
Megan Eccles

Required Books TBA

Picking up where Writing Short Fiction I leaves off, this course affords advanced students additional instruction in the demanding art of short story writing.  The workshop model continues to serve discussions of original student work, and during other class discussions particular stress is laid on finer aspects of craft and sincere engagement with more recent masters of the form. 

HUMA220Writing Short Fiction I
Creative Writing
Tuesday
Tuesday 8:00–10:50 AM
155 E
BUSI393 Leadership and Management
Joe Connolly
Required Textbooks & Materials:
  1. Blanchard, Ken, et al Leadership and the One Minute Manager William Morrow & Company, October 2013 Buy Now978-0062309440
  2. Blanchard, Ken, et al The New One Minute Manager (The One Minute Manager-Updated) Harper Collins India, Mar 11, 2016 Buy Now978-8172234997
  3. Pope Saint John Paul the Great Laborem exercens: On Human Work Buy Now978-0819833488Available free from the Vatican Website. Link will be provided in class. If you prefer physical copies, feel free to purchase one

This course is an introductory-level course for students. Its intent is to give an in-depth understanding of the differences between—and similarities of—leadership and management. The course focuses on the major traits of leaders and managers, and augments these with examples of great historic leaders, including George Custer and Jesus Christ. The course also studies the many leadership traits of Abraham Lincoln and looks at how these can be applied in modern business to improve management techniques. As part of the learning process, students give summaries of Lincoln’s leadership lessons, using short, Power Point presentations.

University Core
Tuesday 8:00–10:50 AM
155 N
ENTM308 Sound in Film: Post-Production
Steve Barsotti

Required Books TBA

This course builds upon the skills and techniques learned in Sound in Film: Production, with an emphasis on post-production. The class will review the fundamentals of sound and how they are applied in a media environment to help communicate a message. Students will learn the element of a film or video soundtrack and how to take the elements from production and combine with created sounds and effects to create a complete soundtrack. Students will mix, process and enhance the soundtrack in post-production using a digital audio workstation.

ENTM103Fundamentals of Post-ProductionENTM104Fundamentals of Production
Post-ProductionMedia Elective
Tuesday 8:00–10:50 AM
155 K
ENTM338 Acting Production: Part 1
Katelyn Slater

Required Books TBA

This class meets twice a week. To find the correlating meeting, match up the Course ID.

This course will give students the opportunity to screen and discuss various content projects with media professionals who played a significant role in the creation or distribution of that content. Each session may include screenings, presentations, or panel discussions with key creative, marketing, or distribution professionals associated with the content screened.

Media ElectiveHumanities Elective
Tuesday 8:00–9:25 AM
155 A/B
HUMA133 The Epic
Stephen Kramp
Required Textbooks & Materials:
  1. Milton, John Paradise Lost Hackett Pub. Co., 2005 Buy NowPhysical Copies Only978-0872207332We'll be reading Book I (pages 6-39) for Thursday, 6/22. You're encouraged to begin reading early

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The power of story is enduring and undeniable. Even today, many of the characters and scenes we deem most memorable and gripping come from the epic poems crafted by Homer and Virgil in the centuries before Christ. Beyond simply encountering finely-worked literary figures and plot developments, however, students taking this course will learn how the structures and conventions of epic narratives give these works immense force and drive, and how the importance of epic narratives in the self-understanding and collective life of ancient peoples invites a deeper appreciation of the importance of great stories for us in our own time.

Humanities Core
Tuesday 9:30–10:50 AM
155 A/B
HUMA432 Cultural Foundations IV
Stephen Kramp
Required Textbooks & Materials:
  1. C. S. Lewis The Abolition of Man, Or, Reflections on Education With Special Reference to the Teaching of English in the Upper Forms of Schools HarperSanFrancisco, 2001 Buy NowPhysical Copies Only978-0060652944
  2. Graham Greene The End of the Affair Penguin Books, 2004 Buy NowPhysical Copies Only978-0142437988
  3. Joseph Conrad Heart of Darkness and Other Tales Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199536016

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The 20th century confronted Western civilization with a huge array of cultural movements, political crises, and technological breakthroughs. This course provides students with the historical grounding necessary for a serious reconnaissance into the recent past via its major cultural products. Some of these works have emerged over time as radiant masterworks, and others have proved to be but nightmarish visions. All, however, merit study and critical treatment, as they mark our previous century in all its alarm, acceleration and terrible beauty.

Humanities Core
Tuesday 12:30–3:20 PM
155 D
ARTS221-1 Life Drawing I
Jacqueline Gold
Required Textbooks & Materials:
  1. Download Supplies List

This class will help students to develop basic figure drawing skills. Students will study drawing a human body in various shapes and poses in order to create designs for animated characters.

ARTS121Drawing in PerspectiveARTS122Observational Drawing
AnimationGame DevelopmentIllustration
Tuesday 12:30–3:20 PM
155 L
BUSI490 Business Launchpad I
Joe Connolly
Required Textbooks & Materials:
  1. Newport, Cal Deep Work Little, Brown Book Group, Aug 24, 2016 Buy Now978-0349413686
  2. Osterwalder, Alexander, et al Value Proposition Design: How to Create Products and Services Customers Want Buy Now978-1118968055

Business students should take Launchpad I. It is also open to business students and media students interested in starting their own business.

The first in a sequence of three 3-unit classes offered to upperclassmen, generally seniors. This course explores market opportunities and needs, competitive market landscapes, skill competencies and gaps, and the process of creating a financial forecast model.

Business Core
Tuesday 12:30–3:20 PM
155 M
ENTM200 Fundamentals of Story Development
Christopher Riley
Required Textbooks & Materials:
  1. Snyder, Blake Save the Cat! M. Wiese Productions, 2005 Buy Now978-1932907001

This course builds on student understanding of screen storytelling established in Story, Genre and Structure and Writing and Pitching a Script. Students will develop an original feature-length screen story from multiple ideas through idea evaluation and selection, character creation and development, story structure, treatment, pitch and beat sheet. At the end of the course, students will register their work with the WGA (a $20 fee). Students will consider more advanced screenwriting concepts presented in the text and will apply those principles to their developing stories.

ENTM101Story, Genre and StructureENTM105 or DIGM122
ENTM201Writing for the Screen IENTM202Writing for the Screen IIENTM312Advanced Writing Seminar IENTM403Advanced Writing Seminar II
ScreenwritingMedia Elective
Tuesday 12:30–3:20 PM
155 E
ENTM303 Directing II
Nathan Scoggins
Required Textbooks & Materials:
  1. Weston, Judith Directing Actors Michael Wiese Productions, July 1999 Buy Now978-0941188241

In this production intensive class which builds on the directing fundamentals learned in Directing I, students will work together weekly to create short film subjects, dealing with spiritual and Christian subject matter, in an attempt to connect noble themes to photographed light. Students will be assigned weekly subjects and be expected to present them in class for feedback and analysis.

ENTM211Directing I
Post-ProductionProducingProductionMedia Elective
Tuesday 12:30–3:20 PM
155 K
ENTM439 Musical Production II
Katelyn Slater

Required Books TBA

Important: successfully auditioning for a production does not result in automatic enrollment. To participate, students must also officially register for the class either during Registration Week (for credit) or with an Add/Drop Form (for credit or audit).

"Musical Production" should be used for registration (do not list the play's name).

Acting Productions meet multiple times a week.

This class meets twice a week. To find the correlating meeting, match up the Course ID.

Description TBA

Media Elective
Tuesday 12:30–3:20 PM
155 A/B
HUMA334 Countercultures & the Spirit of Rebellion
Stephen Kramp
Required Textbooks & Materials:
  1. Gress, Carrie The Anti-Mary Exposed TAN Books, March 1, 2019 Buy NowPhysical Copies Only978-1505110265

Description TBA

Humanities Elective
Tuesday 3:30–6:20 PM
155 D
ARTS221-2 Life Drawing I
Jacqueline Gold
Required Textbooks & Materials:
  1. Download Supplies List

This class will help students to develop basic figure drawing skills. Students will study drawing a human body in various shapes and poses in order to create designs for animated characters.

ARTS121Drawing in PerspectiveARTS122Observational Drawing
AnimationGame DevelopmentIllustration
Tuesday 3:30–6:20 PM
155 L
ENTM208 Writing Short Form Cinema
Christopher Riley
Required Textbooks & Materials:
  1. Johnson, Claudia Hunter Crafting Short Screenplays That Connect Taylor & Francis Group, 2020 Buy NowDigital Copies Allowed978-0367338190
  2. Riley, Christopher Hollywood Standard 3rd Ed Wiese Productions, Michael, 2021 Buy NowPhysical Copies Only978-1615933228If you don't already have a copy, you'll need one

Students will continue their study of screenwriting with a focus on writing narrative films under 40 minutes in length. They will screen and analyze multiple examples of short cinema to gain an understanding of the qualities possessed by the best examples of the form. They will write numerous short scripts with the goal of generating one or more short scripts of high quality that can be produced either inside or outside the university setting. Students will critique one another's work with instructor supervision and guidance. Considerable time will be required for students to write. Students will read and respond to the required texts.

ENTM101Story, Genre and StructureENTM105Writing and Pitching a Script
ScreenwritingMedia Elective
Tuesday 3:30–7:30 PM
155 K
ENTM230 Acting II: Action and Text
Lee Eskey & Katelyn Slater
Required Textbooks & Materials:
  1. Caldarone, Marina, Maggie Lloyd-Williams Actions Drama Publishers, August 30, 2004 Buy NowPhysical Copies Only978-0896762527
  2. Miller, Arthur A View From the Bridge Penguin Group, 2009 Buy NowPhysical Copies Only978-0143105572Read the play before the first day of classAny full-length edition of the play, in English, will do

In this course text and dialogue are considered from the actor’s perspective. Scene work is explored, and students are instructed in text analysis (the study of the language within the script) and scene study (the study of the structure of the script) for performance.

ENTM132Acting I: Foundations
ActingMusical Theatre
Tuesday 3:30–6:20 PM
155 E
ENTM498 Senior Project IV: Marketing and Film Festivals
Nathan Scoggins
Required Textbooks & Materials:
  1. No textbooks are required for this course

Just because you have finished a film doesn't mean your work is done! In this concluding class to the Senior Project experience, students will develop and implement a marketing strategy for their senior project films. They will research film festivals appropriate for their film, develop a strategy and schedule for submitting to those film festivals, develop marketing materials for their films (including posters and taglines), craft documents that will enable strong consideration (including Director's Statements and personalized letters), and budget their senior project financial resources to implement their strategy.

ENTM490Senior Project: Pre-ProductionENTM491Senior Project: ProductionENTM492Senior Project: Post-Production
Media Elective
Tuesday 6:30–9:20 PM
155 A/B
BUSI418 Business Career Strategies
Tito Zamalloa
Required Textbooks & Materials:
  1. Cavoulacos, Alexandra, and Kathryn Minshew The New Rules of Work: The Muse Playbook for Navigating the Modern Workplace Paperback – September 17, 2019 Buy NowPhysical Copies Only978-0451495679

In this class, students will reflect on their future career goals. Specifically, they will: determine their ideal career goal and put a concrete career plan in place now to accomplish it; learn to network in the professional community that you want to join; create a professional resumé and an equivalent LinkedIn profile, where the student will connect with 100 professionals in their immediate field of interest; form a team of 4-6 students to arrange group meetings with professionals in a field relevant to the student group; get an internship that could transition into a part-time job prior to graduation and into a full-time job after graduation; reflect on their personal strengths and weaknesses; create a personal Plan for Success; and create a 30 second Elevator Pitch.

Business Core
Tuesday 6:30–9:20 PM
155 N
DIGM212 Texturing and Lighting I
Grant Hall
Required Textbooks & Materials:
  1. No textbooks are required for this course

This class revolves around creation and application of realistic and stylized textures and light schemes to produce depth and meaning in 3D computer generated scenes. Students will explore into various texturing techniques, while generating diffuse, specular, bump, and normal maps.

DIGM1083D Fundamentals
AnimationGame DevelopmentMedia Elective
Tuesday 6:30–9:20 PM
155 L
HUMA342 Long Form Prose Fiction Workshop
Megan Eccles

Required Books TBA

This course is oriented toward the production of a complete, substantial, and complex work of prose fiction. This process of writing a novella or significant prose narrative will provide students with a unique opportunity to learn and master elements of prose fiction such as character, structure, plot arc, narrative voice, and prose style, with the ultimate aim of creating a lasting work of literary art.

Creative WritingHumanities Elective
Wednesday
Wednesday 8:00–10:50 AM
Online
DIGM305 2D Animation II
Eric vanHamersveld

Required Books TBA

This class expands on the “12-Principles.” Through a combination of lecture and lab, the class will produce two (2) short 30-second animated Pencil Test movies (no color) using a soundtrack provided from the teacher. Each movie project will include creating Thumbnail Storyboards, drawing Key Poses, preparing Exposure Sheets, creating in-betweens, and compositing a final Quicktime Movie.

ARTS222Life Drawing IIDIGM2112D Animation I
AnimationMedia Elective
Wednesday 8:00–10:50 AM
155 E
ENTM121 Writing for TV
Christopher Riley
Required Textbooks & Materials:
  1. Callaway, Kutter, with Dean Batali Watching TV Religiously: Television and Theology in Dialogue Buy NowDigital Copies Allowed978-0801030734PLEASE NOTE: Before the first class meeting on Saturday, June 24, read the introduction to Watching TV Religiously and pages 65-76 (starting at "process" and ending at "practice") in preparation for a discussion with the author, Dean Batali, who will lead that Saturday session

Due to the feature film, the first 2 regular class meetings will not be held. Instead, a Saturday session will be held on June 24th, from 10:00am to 4:00pm, in room E.

An exploration of the business and craft of writing for television. Students will study the distinctive characteristics of television storytelling, including episodic structure, character orchestration for television, hour-long versus half-hour writing, group writing and rewriting, spec writing for existing shows, the development and pitching of new series, writing pilots, and launching a television writing career. 

ENTM101Story, Genre and StructureENTM105Writing and Pitching a Script
ScreenwritingMedia Elective
Wednesday 8:00–10:50 AM
155 K
ENTM231 Voice and Speech
Lee Eskey & Katelyn Slater
Required Textbooks & Materials:
  1. No textbooks are required for this course

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The course builds on “Introduction to Performing Techniques” with advanced explorations of the voice and speech techniques of Linklater, Berry and Skinner.

ENTM131Introduction to Performing TechniquesENTM132Acting I: Foundations
Acting Core
Wednesday 8:00–9:25 AM
155 M
HUMA112-1 Cultural Foundations II
Elizabeth Nevitt
Required Textbooks & Materials:
  1. Alighieri, Dante The Divine Comedy Oxford World's Classics Trans. C. H. Sisson, introduction and notes by David H. Higgins. Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199535644This translation and edition (Sisson, Oxford World's Classics) only, please
  2. Shakespeare, William King Lear The Arden Shakespeare Ed. R. A. Foakes. Bloomsbury Publishing, 1997 Buy NowPhysical Copies Only978-1903436592Other physical editions (not digital) of King Lear are ok

This course tracks the development in European art and thought during the transition from the High Middle Ages to the Renaissance. Special attention is paid at the outset to the tensions arising from, surrounding, and even effecting this epochal shift, especially as evidenced in Dante’s Divine Comedy. When the course later shifts its focus to texts produced by Shakespeare and others in Renaissance England, students find these tensions now located in increasingly realistic and complex human figures and dramas. Through these explorations students come to see the distinctive groundwork being laid for what will later be recognized as the modern period.

University Core
Wednesday 9:30–10:50 AM
155 M
HUMA112-2 Cultural Foundations II
Elizabeth Nevitt
Required Textbooks & Materials:
  1. Alighieri, Dante The Divine Comedy Oxford World's Classics Trans. C. H. Sisson, introduction and notes by David H. Higgins. Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199535644This translation and edition (Sisson, Oxford World's Classics) only, please
  2. Shakespeare, William King Lear The Arden Shakespeare Ed. R. A. Foakes. Bloomsbury Publishing, 1997 Buy NowPhysical Copies Only978-1903436592Other physical editions (not digital) of King Lear are ok

This class meets twice a week. To find the correlating meeting, match up the Course ID and section number.

This course tracks the development in European art and thought during the transition from the High Middle Ages to the Renaissance. Special attention is paid at the outset to the tensions arising from, surrounding, and even effecting this epochal shift, especially as evidenced in Dante’s Divine Comedy. When the course later shifts its focus to texts produced by Shakespeare and others in Renaissance England, students find these tensions now located in increasingly realistic and complex human figures and dramas. Through these explorations students come to see the distinctive groundwork being laid for what will later be recognized as the modern period.

University Core
Wednesday 12:30–3:20 PM
155 L
ENTM391 Senior Project: Creative Development
Nathan Scoggins
Required Textbooks & Materials:
  1. No textbooks are required for this course

Description TBA

Media Elective
Wednesday 12:30–3:20 PM
155 E
ENTM403 Advanced Writing Seminar II
Christopher Riley
Required Textbooks & Materials:
  1. No textbooks are required for this course

This course follows Advanced Writing Seminar I and provides additional advanced writing experience for students who have completed multiple scripts for the screen. Assignments will be individualized based on student experience, interest, and skill, and may include development and writing of feature film scripts, television episodes or pilots, short film scripts, and scripts for web-based distribution. Students may also rewrite existing works for which they've written earlier drafts. Students will read and lead discussions of numerous screenplays. Students will pitch their stories, and may be asked to pitch to students in other courses. Students will critique one another’s work in large and small groups, with instructor supervision and guidance. They may also be asked to supervise the script development work of underclassmen. The knowledge, skills, and experience gained in this course will serve aspiring writers, writer-directors, and writer-producers for film, television, and new media. Considerable time will be required for students to write and develop scripts outside of class.

ENTM101Story, Genre and StructureENTM105Writing and Pitching a ScriptENTM200Fundamentals of Story DevelopmentENTM201Writing for the Screen IENTM202Writing for the Screen IIENTM312Advanced Writing Seminar I
ScreenwritingMedia Elective
Wednesday 12:30–3:20 PM
155 M
ENTM410 Media Law and Ethics
Shun Lee Fong
Required Textbooks & Materials:
  1. Ashley Packard Digital Media Law 2nd Ed John Wiley & Sons, Inc., 2012 Buy Now978-1118290729Read and be prepared to discuss Chapter 1 before the first class

The course examines the legal relationships in the motion picture and television industries, as well as the legal relationships between artists and their personal managers. It covers the key legal principles that are involved in most media productions. This includes with trade unions, licensing, intellectual property and contract issues. In addition, this course explores ethical challenges students are likely to encounter working in entertainment and guides them through the development of a personal code of ethics that is informed by the life and teachings of Jesus Christ.

Communications Media Core
Wednesday 12:30–1:55 PM
155 A/B
HUMA124-1 Advanced College Writing
Elisabeth Kramp
Required Textbooks & Materials:
  1. Booth, Columb, Williams, Bizup, & Fitzgerald The Craft of Research 4th Ed Buy NowPhysical Copies Only978-0226239736This is the primary textbook for our course. Please purchase a hard copy, as we will use it daily in class
  2. Students should select one of the following three sources (Rashomon, Our Town, or A Poet's Choice) for their research during this course. Those writing about the film Rashomon will need to read Akutagawa's short stories as well as watch the film:
    1. Rashomon
      • Kurosawa, Akira Rashomon 1950 View LinkThe Criterion Collection version includes the two Akutagawa short stories that the film is based upon. You may check out the film from JPC Library for free on campus
      • Akutagawa, Ryunosuke Rashomon and Seventeen Other Stories Penguin, 2006 Buy NowPhysical Copies Only978-0140449709The film Rashomon is based upon two of Akutagawa's short stories. Please purchase this book if you choose to write your research paper on the film Rashomon
    2. Our Town
      Wilder, Thornton Our Town Foreword by David Margulies Perennial, 2003 Buy NowPhysical Copies Only978-0060512637Please purchase this copy if you choose to write your research paper on the play Our Town. The foreword by David Margulies as well as the end notes will be useful to your research
    3. A Poet's Choice
      Elizabeth Jennings A Poet's Choice Carcanet, 1996 Buy Now978-1857542622You may choose a physical copy or read a Kindle version of this anthology should you choose to write your research paper on poetry

In spring, students choose between two core classes: Business Communications or Advanced College Writing. In summer, students will take whatever course not yet completed.

Students conduct research on a primary text and write a lengthy paper, practicing revision and editing skills as they develop their original theses.  This class encourages a “close reading” of a primary text, requires students to build an annotated bibliography to evaluate secondary and tertiary source material, and introduces rhetorical concepts in the effort to help students become stronger readers and writers.

HUMA122 or Writing Proficiency Evaluation passed
University Core
Wednesday 2:00–3:20 PM
155 A/B
HUMA124-2 Advanced College Writing
Elisabeth Kramp
Required Textbooks & Materials:
  1. Booth, Columb, Williams, Bizup, & Fitzgerald The Craft of Research 4th Ed Buy NowPhysical Copies Only978-0226239736This is the primary textbook for our course. Please purchase a hard copy, as we will use it daily in class
  2. Students should select one of the following three sources (Rashomon, Our Town, or A Poet's Choice) for their research during this course. Those writing about the film Rashomon will need to read Akutagawa's short stories as well as watch the film:
    1. Rashomon
      • Kurosawa, Akira Rashomon 1950 View LinkThe Criterion Collection version includes the two Akutagawa short stories that the film is based upon. You may check out the film from JPC Library for free on campus
      • Akutagawa, Ryunosuke Rashomon and Seventeen Other Stories Penguin, 2006 Buy NowPhysical Copies Only978-0140449709The film Rashomon is based upon two of Akutagawa's short stories. Please purchase this book if you choose to write your research paper on the film Rashomon
    2. Our Town
      Wilder, Thornton Our Town Foreword by David Margulies Perennial, 2003 Buy NowPhysical Copies Only978-0060512637Please purchase this copy if you choose to write your research paper on the play Our Town. The foreword by David Margulies as well as the end notes will be useful to your research
    3. A Poet's Choice
      Elizabeth Jennings A Poet's Choice Carcanet, 1996 Buy Now978-1857542622You may choose a physical copy or read a Kindle version of this anthology should you choose to write your research paper on poetry

In spring, students choose between two core classes: Business Communications or Advanced College Writing. In summer, students will take whatever course not yet completed.

This class meets twice a week. To find the correlating meeting, match up the Course ID and section number.

Students conduct research on a primary text and write a lengthy paper, practicing revision and editing skills as they develop their original theses.  This class encourages a “close reading” of a primary text, requires students to build an annotated bibliography to evaluate secondary and tertiary source material, and introduces rhetorical concepts in the effort to help students become stronger readers and writers.

HUMA122 or Writing Proficiency Evaluation passed
University Core
Wednesday 3:30–6:20 PM
155 M
BUSI193-1 Intro to Marketing
Brehnen Knight
Required Textbooks & Materials:
  1. Godin, Seth This Is Marketing Portfolio/Penguin, 2018 Buy Now978-0525540830Authors Notes + Chapter 1 (pg. 10 to 20)

This course focuses on introducing the idea of “entrepreneurial marketing” and is aimed at students who plan to start a new venture or take a job as a marketing professional pursuing an innovative marketing approach. Students will study a full spectrum of marketing strategy and tactics that are especially suitable for entrepreneurial firms aiming for high growth and innovation yet faced by limited resources and uncertain industry dynamics. Students will work in teams on marketing plans for their own venture or for other high-profile entrepreneurs or executives. The focus of this course is on hands-on experiences and practical relevance of innovative marketing concepts.

University Core
Wednesday 3:30–6:20 PM
155 A/B
ENTM112 Intro to Directing
Nathan Scoggins
Required Textbooks & Materials:
  1. No textbooks are required for this course

Description TBA

ENTM103Fundamentals of Post-ProductionENTM104Fundamentals of Production
Media Elective
Wednesday 3:30–7:30 PM
155 K
ENTM230 Acting II: Action and Text
Lee Eskey & Katelyn Slater
Required Textbooks & Materials:
  1. Caldarone, Marina, Maggie Lloyd-Williams Actions Drama Publishers, August 30, 2004 Buy NowPhysical Copies Only978-0896762527
  2. Miller, Arthur A View From the Bridge Penguin Group, 2009 Buy NowPhysical Copies Only978-0143105572Read the play before the first day of classAny full-length edition of the play, in English, will do

This class meets twice a week. To find the correlating meeting, match up the Course ID.

In this course text and dialogue are considered from the actor’s perspective. Scene work is explored, and students are instructed in text analysis (the study of the language within the script) and scene study (the study of the structure of the script) for performance.

ENTM132Acting I: Foundations
ActingMusical Theatre
Wednesday 3:30–6:20 PM
155 N
MUSC223 Orchestration & Notation
Robert Giracello

Required Books TBA

Description TBA

MUSC102Music Theory
Media ElectiveHumanities Elective
Wednesday 3:30–6:20 PM
155 M
THEO113 Christian Experience III
Fr. Andy Younan
Required Textbooks & Materials:
  1. Younan, Andy, ed Christian Experience III Reader Buy Now979-8392596799Please read p. 1-28, and also watch this video, BEFORE the first day of class: https://youtu.be/klSPWN7_h_8

Orthodoxy is not only right belief but right worship. Through the Church’s sacramental economy and the individual prayer life of the faithful, the truths of the Catholic faith are displayed, lived, and understood. Following Parts Two and Four of the Catechism of the Catholic Church, this course explicates the Church’s “mysteries”: the sacraments, prayer and devotion that nurture the faithful in their Christian discipleship and sanctification.

University Core
Wednesday 6:30–9:20 PM
Online
DIGM316-1 Character Design
Carlos Vazquez

Required Books TBA

Description TBA

DIGM215Photoshop & Illustrator
Media ElectiveHumanities Elective
Wednesday 6:30–9:20 PM
155 N
DIGM322 3D Animation I
George Castro
Required Textbooks & Materials:
  1. No textbooks are required for this course

This class is designed to provide students with the opportunity to study principles of traditional animation and incorporate those principles into computer animation. Students will produce several cyclical and performance-based animations.

DIGM1083D Fundamentals
AnimationGame DevelopmentMedia Elective
Wednesday 6:30–9:20 PM
155 A/B
THEO313 Moral Theology & Ethics
Shalina Stilley
Required Textbooks & Materials:
  1. Marino, Gordon Daniel Ethics: Essential Writings Modern Library, 2010 Buy Now978-0812977783pp. 6-23 Euthyphro
  2. Pope John Paul II The Splendor of Truth United States Catholic Conference, 1993 Buy Now978-1555866792

This course builds on prior courses covering the Catechism of the Catholic Church. Study of the Catechism will be completed through an in-depth analysis of the third pillar, namely, the section on Catholic morality.

Philosophy & TheologyNew Evangelization
Thursday
Thursday 8:00–10:50 AM
155 K
ENTM231 Voice and Speech
Lee Eskey & Katelyn Slater
Required Textbooks & Materials:
  1. No textbooks are required for this course

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The course builds on “Introduction to Performing Techniques” with advanced explorations of the voice and speech techniques of Linklater, Berry and Skinner.

ENTM131Introduction to Performing TechniquesENTM132Acting I: Foundations
Acting Core
Thursday 8:00–9:25 AM
155 A/B
HUMA133 The Epic
Stephen Kramp
Required Textbooks & Materials:
  1. Milton, John Paradise Lost Hackett Pub. Co., 2005 Buy NowPhysical Copies Only978-0872207332We'll be reading Book I (pages 6-39) for Thursday, 6/22. You're encouraged to begin reading early

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The power of story is enduring and undeniable. Even today, many of the characters and scenes we deem most memorable and gripping come from the epic poems crafted by Homer and Virgil in the centuries before Christ. Beyond simply encountering finely-worked literary figures and plot developments, however, students taking this course will learn how the structures and conventions of epic narratives give these works immense force and drive, and how the importance of epic narratives in the self-understanding and collective life of ancient peoples invites a deeper appreciation of the importance of great stories for us in our own time.

Humanities Core
Thursday 8:00–10:50 AM
155 E
THEO416 Eschatology
Fr. Ankido Sipo

Required Books TBA

Description TBA

Humanities Elective
Thursday 9:30–10:50 AM
155 N
DIGM215 Photoshop & Illustrator
Max Hulburt

Required Books TBA

This course is an introduction to Adobe Photoshop and Illustrator. Students will learn techniques for photo enhancement, image compositing, and logo creation through several projects.

AnimationGraphic DesignMedia Elective
Thursday 9:30–10:50 AM
155 A/B
HUMA432 Cultural Foundations IV
Stephen Kramp
Required Textbooks & Materials:
  1. C. S. Lewis The Abolition of Man, Or, Reflections on Education With Special Reference to the Teaching of English in the Upper Forms of Schools HarperSanFrancisco, 2001 Buy NowPhysical Copies Only978-0060652944
  2. Graham Greene The End of the Affair Penguin Books, 2004 Buy NowPhysical Copies Only978-0142437988
  3. Joseph Conrad Heart of Darkness and Other Tales Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199536016

This class meets twice a week. To find the correlating meeting, match up the Course ID.

The 20th century confronted Western civilization with a huge array of cultural movements, political crises, and technological breakthroughs. This course provides students with the historical grounding necessary for a serious reconnaissance into the recent past via its major cultural products. Some of these works have emerged over time as radiant masterworks, and others have proved to be but nightmarish visions. All, however, merit study and critical treatment, as they mark our previous century in all its alarm, acceleration and terrible beauty.

Humanities Core
Thursday 12:30–3:20 PM
155 D
ARTS223 Materials and Techniques
Jacqueline Gold
Required Textbooks & Materials:
  1. Download Supplies List

This course focuses on the traditional and materials techniques used to create hand-drawn illustrations and imagery. Graphite, charcoal, ink, watercolor, gouache, acrylic, and collage will be used to create projects rooted in originality. The assignments are intentionally experimental, allowing students to explore innovative solutions in image making. Form, structure, tone, light, shadow, texture and color, combined with different approaches to visual style, atmosphere and mood will be covered.

ARTS222Life Drawing IIARTS223Materials and Techniques
IllustrationMedia ElectiveHumanities Elective
Thursday 12:30–3:20 PM
155 M
BUSI193-2 Introduction to Marketing
Brehnen Knight
Required Textbooks & Materials:
  1. Godin, Seth This Is Marketing Portfolio/Penguin, 2018 Buy Now978-0525540830Authors Notes + Chapter 1 (pg. 10 to 20)

This course focuses on introducing the idea of “entrepreneurial marketing” and is aimed at students who plan to start a new venture or take a job as a marketing professional pursuing an innovative marketing approach. Students will study a full spectrum of marketing strategy and tactics that are especially suitable for entrepreneurial firms aiming for high growth and innovation yet faced by limited resources and uncertain industry dynamics. Students will work in teams on marketing plans for their own venture or for other high-profile entrepreneurs or executives. The focus of this course is on hands-on experiences and practical relevance of innovative marketing concepts.

University Core
Thursday 12:30–3:20 PM
155 A/B
BUSI409 Entrepreneurial Finance
Tyler Pearson
Required Textbooks & Materials:
  1. Sherman, Andrew J Raising Capital 3rd Ed AMACOM, 2012 Buy Now978-0814439012Chapter 1

Description TBA

Business Elective
Thursday 12:30–3:20 PM
155 N
DIGM492 Portfolio Review
Max Hulburt

Required Books TBA

This comprehensive studio class will allow students to produce and polish their portfolio content. Several in-class progress milestones, qualitative portfolio reviews by the industry professional guest speakers, and peer critiques will enhance students' experience, and provide maximum guidance to improving the overall quality of students' artwork.

DIGM491Production Studio II
AnimationGame Development
Thursday 12:30–3:20 PM
155 K
ENTM439 Musical Production II
Katelyn Slater

Required Books TBA

Important: successfully auditioning for a production does not result in automatic enrollment. To participate, students must also officially register for the class either during Registration Week (for credit) or with an Add/Drop Form (for credit or audit).

"Musical Production" should be used for registration (do not list the play's name).

Acting Productions meet multiple times a week.

This class meets twice a week. To find the correlating meeting, match up the Course ID.

Description TBA

Media Elective
Thursday 12:30–3:20 PM
155 L
HUMA224 Editing and Revision
Stephen Kramp
Required Textbooks & Materials:
  1. Bell, Matt Refuse to Be Done Soho Press, Incorporated, 2022 Buy NowPhysical Copies Only978-1641293419
  2. Strunk, William The Elements of Style Longman Publishers, 2001 Buy NowPhysical Copies Only978-0205309023

While younger writers naturally place great emphasis on inspiration, this course provides students with a focused engagement on another critically important but often neglected aspect of masterful writing: revision.  In the process of putting key principles of revision into effect so as to improve their own creative pieces, students will also learn the fine (and also often neglected) art of editing, which benefits even students not interested in editorial work by making them more astute and discriminating readers.

Creative WritingHumanities Elective
Thursday 12:30–3:20 PM
155 E
THEO204 Old Testament
Fr. Ankido Sipo

Required Books TBA

Old Testament is the new version of Scripture II.

This course is a continuation of THEO100. Whereas THEO100 focuses largely on the Gospels, this course takes a closer look at the major figures and events of the Old Testament. After a discussion of the literary and historical issues relating to biblical study, students learn the basic structure of the story of salvation history, surveying the books of the Old Testament. Special attention is given to the way the Old Testament books relate to those in the New Testament. As in THEO100 students also focus on how Scripture study relates to the life of prayer.

Philosophy/TheologyNew Evangelization
Thursday 3:30–6:20 PM
155 D
ARTS473 Illustration Capstone I
Jacqueline Gold
Required Textbooks & Materials:
  1. No textbooks are required for this course

A senior-level illustration capstone experience. In this course, students create portfolio content and further develop a professional visual art portfolio. Topics covered include various techniques determined by the unique challenges of each project. Significant class time will be spent discussing and working on the needs of the projects.

Illustration Senior
Thursday 3:30–6:20 PM
155 A/B
BUSI105 Statistics
Derry Connolly
Required Textbooks & Materials:
  1. Carlberg, Conrad Statistical Analysis 1st Ed Que Publishing, Dec 14, 2017 Buy Now978-0789759054

This course is designed to introduce students to fundamental theories and principles of statistics and how those concepts relate to the real world. In particular, students will learn how to apply statistics to a business setting and gain understanding of how data can bring clarity to decision making.

BUSI102 (Recomended)
Business Core
Thursday 3:30–6:20 PM
155 E
BUSI329 Applied Market Research
Joe Szalkiewicz

Required Books TBA

Applied Market Research offers students an overview of market research techniques and primary and secondary research strategies informed by a Christian code of conduct. The course is designed to provide them with the principles, vocabulary, tools and practice necessary to identify a market demographic, write a research brief, develop and implement a research study, and analyze the findings.

BUSI193Introduction to Marketing
Business Elective
Thursday 3:30–6:20 PM
155 N
ENTM427 Feature Film: Post-Production
Melinda Simon
Required Textbooks & Materials:
  1. A 4TB hard drive formatted to MAC is required

This class is 6 units (equivalent to 2 classes).

This course is part of the Feature Film Program. Students fulfill the role of editor to create a rough cut, fine cut, and achieve picture lock on a feature length narrative film project under the guidance of a professional editor and in collaboration with the film's director. Each student is responsible for editing a specific portion of the movie and must collaborate to craft a cohesive style that fulfills the director's vision.

Media Elective
Thursday 6:30–9:20 PM
155 N
DIGM313 Hard Surface Modeling I
Grant Hall
Required Textbooks & Materials:
  1. No textbooks are required for this course

This class is designed to help students develop 3D modeling skills to produce low and high-poly hard surface models for animation and games. Students will learn to model using proper topology and be introduced to methods of speeding up workflow while creating props, buildings, and other hard surface objects.

DIGM1083D Fundamentals
AnimationGame DevelopmentMedia Elective
Thursday 6:30–9:20 PM
Online
DIGM316-2 Character Design
Carlos Vazquez

Required Books TBA

Description TBA

DIGM215Photoshop & Illustrator
Media ElectiveHumanities Elective
Thursday 6:30–9:20 PM
155 L
PHIL302 Existentialism
Shalina Stilley
Required Textbooks & Materials:
  1. Marcel, Gabriel A Gabriel Marcel Reader St. Augustine's Press, 2011 Buy Now978-1587313264
  2. Marino, Gordon Basic Writings of Existentialism Modern Library, 2004 Buy Now978-0375759895p. 7-23

This course will offer an overview of some of the main themes, questions, and figures of existentialist thought. Topics studied may include freedom, authenticity, subjectivity, individualism, purpose, angst, being, and God.  Figures studied may include Kierkegaard, Nietzsche, Heidegger, Sartre, Camus, Gabriel Marcel, Jacques Maritain, and others.

Humanities Elective
Friday
Friday 8:00–10:50 AM
155 L
BUSI420 Business Law
Bradley Bartlett
Required Textbooks & Materials:
  1. Reed, O. Lee Legal and Regulatory Environment of Business McGraw-Hill Education, 2021 Buy NowDigital Copies Allowed978-1260734287Chapter 118th edition or later

Students study in detail the significant legal considerations involved with forming and operating a sustainable small business, becoming acquainted with real-world examples of incorporation issues and trade-offs, taxes and tax liabilities, human resource commitments and limitations, advertising issues and implications; contract law; patent, copyright and trademark law; and digital rights management.

Business Core
Friday 8:00–10:50 AM
Online
DIGM217 Motion Graphics II
Nate Sjogren

Required Books TBA

This course is a deep-dive into Adobe After effects. Students will learn various advanced animation techniques used in the motion graphics industry, including character rigging and animation. Students will ultimately learn foundational techniques that will give them the technical ability to work on any professional motion graphics project.

ENTM212Intro to After EffectsDIGM215Photoshop & IllustratorDIGM216Motion Graphics I
Media Elective
Friday 8:00–10:50 AM
155 K
ENTM338 Acting Production: Part 1
Katelyn Slater

Required Books TBA

This class meets twice a week. To find the correlating meeting, match up the Course ID.

This course will give students the opportunity to screen and discuss various content projects with media professionals who played a significant role in the creation or distribution of that content. Each session may include screenings, presentations, or panel discussions with key creative, marketing, or distribution professionals associated with the content screened.

Media ElectiveHumanities Elective
Friday 8:00–9:25 AM
155 M
HUMA112-1 Cultural Foundations II
Elizabeth Nevitt
Required Textbooks & Materials:
  1. Alighieri, Dante The Divine Comedy Oxford World's Classics Trans. C. H. Sisson, introduction and notes by David H. Higgins. Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199535644This translation and edition (Sisson, Oxford World's Classics) only, please
  2. Shakespeare, William King Lear The Arden Shakespeare Ed. R. A. Foakes. Bloomsbury Publishing, 1997 Buy NowPhysical Copies Only978-1903436592Other physical editions (not digital) of King Lear are ok

This class meets twice a week. To find the correlating meeting, match up the Course ID and section number.

This course tracks the development in European art and thought during the transition from the High Middle Ages to the Renaissance. Special attention is paid at the outset to the tensions arising from, surrounding, and even effecting this epochal shift, especially as evidenced in Dante’s Divine Comedy. When the course later shifts its focus to texts produced by Shakespeare and others in Renaissance England, students find these tensions now located in increasingly realistic and complex human figures and dramas. Through these explorations students come to see the distinctive groundwork being laid for what will later be recognized as the modern period.

University Core
Friday 9:30–10:50 AM
155 M
HUMA112-2 Cultural Foundations II
Elizabeth Nevitt
Required Textbooks & Materials:
  1. Alighieri, Dante The Divine Comedy Oxford World's Classics Trans. C. H. Sisson, introduction and notes by David H. Higgins. Oxford University Press, 2008 Buy NowPhysical Copies Only978-0199535644This translation and edition (Sisson, Oxford World's Classics) only, please
  2. Shakespeare, William King Lear The Arden Shakespeare Ed. R. A. Foakes. Bloomsbury Publishing, 1997 Buy NowPhysical Copies Only978-1903436592Other physical editions (not digital) of King Lear are ok

This class meets twice a week. To find the correlating meeting, match up the Course ID and section number.

This course tracks the development in European art and thought during the transition from the High Middle Ages to the Renaissance. Special attention is paid at the outset to the tensions arising from, surrounding, and even effecting this epochal shift, especially as evidenced in Dante’s Divine Comedy. When the course later shifts its focus to texts produced by Shakespeare and others in Renaissance England, students find these tensions now located in increasingly realistic and complex human figures and dramas. Through these explorations students come to see the distinctive groundwork being laid for what will later be recognized as the modern period.

University Core
Friday 12:30–3:20 PM
155 L
DIGM106 Fundamentals of Game Design
Joe Shoopack
Required Textbooks & Materials:
  1. Fullerton, Tracy Game Design Workshop 4th Ed Taylor & Francis Group, 2018 Buy NowDigital Copies Allowed978-1138098770Chapter 1

Comprehensive introduction to basic tools and principles of Game Design including game systems, their components and interaction. Exploration into game analysis and game definitions. Opportunities to conceive an original idea and create a pitch to sell a game concept.

Game DevelopmentMedia Elective
Friday 12:30–3:20 PM
155 N
DIGM131 Game Scripting I
Rodney Figueroa

Required Books TBA

Building on programming fundamentals learned in Introduction to Programming, this course focuses on scripting common game systems in Unreal Blueprints. Specific topics will vary based on current industry developments, but may include player inventories, AI decision trees, nav meshes, and media playback.

DIGM130Intro to Gameplay Logic Scripting
Friday 12:30–3:20 PM
155 K
ENTM432 Screen Acting Lab II
Courtney Balaker
Required Textbooks & Materials:
  1. Barr, Tony Acting for the Camera Revised Edition Harper View LinkChapter One: Acting

Description TBA

ENTM346Screen Acting LabInstructor Approval
Media Elective
Friday 12:30–3:20 PM
155 E
MUSC305 History of Opera
John Polhamus
Required Textbooks & Materials:
  1. Riccardo Mezzanotte The Simon and Schuster Book of the Opera Simon and Schuster, 1979 Buy NowPhysical Copies Only978-0671248864This is the best comprehensive overview of operatic repertoire and history, and inexpensive used copies are available on Amazon for a few dollars. It's just the best book of opera plots and history available

Description TBA

Media ElectiveHumanities Elective
Friday 12:30–3:20 PM
155 M
THEO113 Christian Experience III
Fr. Andy Younan
Required Textbooks & Materials:
  1. Younan, Andy, ed Christian Experience III Reader Buy Now979-8392596799Please read p. 1-28, and also watch this video, BEFORE the first day of class: https://youtu.be/klSPWN7_h_8

Orthodoxy is not only right belief but right worship. Through the Church’s sacramental economy and the individual prayer life of the faithful, the truths of the Catholic faith are displayed, lived, and understood. Following Parts Two and Four of the Catechism of the Catholic Church, this course explicates the Church’s “mysteries”: the sacraments, prayer and devotion that nurture the faithful in their Christian discipleship and sanctification.

University Core
Friday 3:30–6:20 PM
155 M
THEO113 Christian Experience III
Fr. Andy Younan
Required Textbooks & Materials:
  1. Younan, Andy, ed Christian Experience III Reader Buy Now979-8392596799Please read p. 1-28, and also watch this video, BEFORE the first day of class: https://youtu.be/klSPWN7_h_8

Orthodoxy is not only right belief but right worship. Through the Church’s sacramental economy and the individual prayer life of the faithful, the truths of the Catholic faith are displayed, lived, and understood. Following Parts Two and Four of the Catechism of the Catholic Church, this course explicates the Church’s “mysteries”: the sacraments, prayer and devotion that nurture the faithful in their Christian discipleship and sanctification.

University Core
Saturday & More
Indpt. Study
BUSI492 Business Launchpad III
Marc Burch
Required Textbooks & Materials:
  1. No textbooks are required for this course

The third in a sequence of three 3-unit classes offered to upperclassmen, generally seniors. In this course, the team will continue to refine their financial forecast model and develop their marketing and funding plans, as well as putting their legal structure in place. The goal is a product or service ready for market with a team in place to deliver and support it, with a complete business plan, which includes a refined financial forecast model.

BUSI491Business Launchpad II
Business Elective
ENTM●●● Feature Film: Production
Media Department

Required Books TBA

This class is 6 units

Students registering for the Feature Film will be enrolled in a specific course ID & unit count as follows:

  • Sophomore: ENTM221 — 3 units
  • Junior: ENTM327 — 6 units
  • Senior: ENTM427 — 6 units

This course is part of the Feature Film Program. Students apply for specific on-set positions that align with their unique skills and career goals and fulfill that role throughout principle photography on a narrative feature film project. This class may be taken as a 3 unit or 6 unit class based on the student's role and class status.

Media Elective
155 E
THEO337 NET Ministry Training
Stephen Kramp

Required Books TBA

Students taking this course will prepare intensively for missionary work abroad.  Along with describing processes, aims, and challenges of evangelization, emphasis will be placed on evangelizing via shared cultural interests and personal relationship. 

Humanities Elective

Please be advised that adjustments in scheduled meeting times and/or instructor assignments may be made at any time without prior notice.

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